The confetti hasn’t even settled from the Battles and Knockouts, and already The Voice Season 28 is hurtling toward its explosive climax with the Playoffs kicking off on Monday night. If you’ve been glued to your screen week after week, watching underdogs claw their way through Reba McEntire’s country charm, Michael Bublé’s silky crooner vibes, Snoop Dogg’s laid-back wisdom, and Niall Horan’s pop-rock precision, then you know this season has been a powder keg of raw talent, unexpected twists, and enough vocal fireworks to light up the Hollywood sky. But nothing—not the blind auditions’ jaw-dropping four-chair turns, nor the Knockouts’ tear-jerking steals—prepares you for the gut-wrenching stakes of the Playoffs. Here, the top 16 artists lay it all on the line, knowing that only one from each team will earn their coach’s golden ticket to the Live Finale. And in a season-first twist that’s got fans buzzing like never before, America gets to crash the party with a public vote to save one more soul from the episode’s pool of performers. Six finalists total. One shot at glory. The pressure? It’s thicker than the fog rolling off the Universal Studios stage.
Monday’s premiere episode, airing December 1, 2025, zeroed in on Teams Reba and Bublé, pitting eight fiercely talented souls against each other in a showcase that blended soul-stirring ballads, genre-bending covers, and enough emotional depth to make even the most stoic viewer reach for the tissues. From the moment Carson Daly strode out in his signature sharp suit, microphone in hand, and declared, “Tonight, dreams will be made… and hearts will be broken,” the energy in the room—and spilling over into living rooms across the country—was electric. This wasn’t just a competition round; it was a reckoning. Artists who had survived the gauntlet of earlier phases now had to prove they weren’t just survivors, but stars. And with the coaches’ chairs swiveling in real-time reactions (a luxury not afforded to the audience at home, thanks to the prerecorded format echoing seasons past like 6, 13, and 23-27), the tension ratcheted up to operatic levels.
Let’s rewind the tape and dissect every pulse-pounding performance, coach’s quip, and elimination that left us reeling. Because if Season 28 has taught us anything, it’s that The Voice isn’t just about hitting the high notes—it’s about the stories behind them, the vulnerabilities laid bare under the spotlight, and the unbreakable spirit that turns a stage into a battlefield of hope.
The Opening Salvo: Aaron Nichols and a Country Heartbreaker That Didn’t Quite Land
Kicking off the night with the kind of easy confidence that screams “hometown hero,” Aaron Nichols from Team Reba stepped up first, guitar slung low like an old friend, ready to tackle Luke Combs’ “Beer Never Broke My Heart.” At 28, Nichols is the quintessential everyman artist: a Nashville native with callused hands from years gigging in dive bars, a voice like warm bourbon sliding down gravel roads, and a backstory that tugs at every country fan’s heartstrings. Drafted onto Reba’s team during the Blind Auditions with a soulful spin on George Strait’s “Amarillo by Morning,” Aaron had been a steady force through the Battles (where he edged out a fellow crooner with a duet that had Reba tearing up) and Knockouts (surviving a tense matchup against a powerhouse belter). But tonight? The stakes demanded more than steadiness—they demanded transcendence.
Dressed in a crisp denim shirt and boots polished to a shine, Nichols poured his all into the Combs hit, infusing it with a personal twist: whispers of lost love from his own divorce that echoed through the lyrics like ghosts in the honky-tonk. The crowd swayed, the coaches nodded along, and for a moment, it felt like Aaron was crooning directly to the soul of the show itself. Snoop Dogg leaned back with a grin, murmuring, “Man, that’s the kind of song that makes you wanna crack open a cold one and forget your troubles.” Niall Horan, ever the enthusiast, pumped his fist during the chorus, while Bublé offered a thumbs-up that screamed approval.
Reba, though—oh, Reba. The Queen of Country watched with that maternal intensity she’s famous for, her red sequins catching the light like a beacon. When the final note faded, she was on her feet, but her praise was measured: “Aaron, honey, you sang that with such heart. It’s you through and through. But darlin’, we need to see that fire—the one that makes folks remember your name long after the bar closes.” It was gentle, but pointed. And in a night of brutal choices, it foreshadowed the heartbreak to come. Aaron’s performance was solid, heartfelt, and undeniably authentic, but in a field this stacked, solid isn’t always enough. When the results rolled around, Reba’s decision left him eliminated, sending shockwaves through social media. #SaveAaron trended within minutes, fans decrying the “baffling” call (as one viral tweet put it). Yet, with the public vote looming, hope flickered—Aaron’s everyman charm could yet propel him into the finale if America rallies.
Jazz McKenzie: The Gospel Fire That Set the Night Ablaze
If Aaron’s opener was a warm embrace, Jazz McKenzie’s follow-up was a full-throated revival. Representing Team Bublé, the 24-year-old from Chicago burst onto the scene like a storm cloud pregnant with thunder. With her towering presence, braided crown of hair, and a dress that flowed like gospel robes, Jazz transformed Journey’s arena-rock staple “Don’t Stop Believin'” into a sanctified anthem that had the entire studio choir section on their feet, hands raised in hallelujahs. Blending Steve Perry’s soaring hooks with a choir-backed bridge that injected fresh lyrics—”Thank you, Jesus, for the streetlights, people”—she turned a ’80s pop earworm into a testimony of resilience. Jazz’s journey on the show has been one of quiet miracles: a Blind Audition pivot from all four chairs for her original “Rise Up,” a Battle win that showcased her four-octave range, and a Knockout survival where she outshone a veteran soul singer with sheer emotional ferocity.
Michael Bublé, the smooth operator of the coaching panel, was visibly transported. As Jazz hit that improvised high note in the final chorus, he clutched his chest dramatically, eyes wide with what looked like genuine awe. “Jazz,” he declared post-performance, his Canadian lilt thick with emotion, “that was the first time anyone’s heard ‘Don’t Stop Believin” with lyrics that end ‘Thank you, Jesus.’ I got goosebumps from head to toe. You remind me of the greatest singers who’ve ever graced this planet—Barbra Streisand, Aretha Franklin, Celine Dion. Without a doubt, you’re the best vocalist I’ve ever coached on this show.” Reba chimed in with a whoop, “Girl, you just brought the house down! That was holy spirit right there.” Even Snoop, not one for overt displays, nodded solemnly: “You made me believe, fo’ real.”
It was no surprise, then, when Bublé named Jazz as his finalist pick. In a season where vocal pyrotechnics have been the norm, Jazz didn’t just perform—she elevated. Her blend of pop accessibility and gospel depth feels tailor-made for the finale’s duets and collaborations, and if the public vote aligns with the coaches’ consensus, she’ll be a lock. But elimination isn’t final yet; the fan save could complicate things if another Bublé standout surges.
Ryan Mitchell: A Sultry Surprise That Fell Short of Seduction
Team Reba rebounded—or so it seemed—with Ryan Mitchell, a 31-year-old from Austin, Texas, whose Blind Audition cover of Ed Sheeran’s “Thinking Out Loud” had turned three chairs with its velvety timbre. Ryan’s arc has been one of reinvention: from a corporate drone who quit his job mid-audition to chase music, to a Knockouts contender who channeled Prince in a purple haze of funk. For the Playoffs, he opted for a daring pivot: Liam Payne’s “Undressed,” stripping the pop track down to its emotional core with acoustic guitar and a vocal delivery that dripped with vulnerability.
Under the lights, Ryan was magnetic—hair tousled, eyes locked on the coaches as if confessing secrets only they could hear. The performance built from a hushed verse to a crescendo that showcased his falsetto, drawing cheers from the audience and a slow clap from Niall: “Mate, that was intimate. You made me feel every word.” Bublé added, “Risky choice, but you owned it. That’s star power.” Reba, beaming like a proud aunt, gushed, “Ryan, you took me on a journey. That voice of yours—it’s like silk wrapped around steel.”
Yet, when the dust settled, Ryan joined Aaron on the elimination block. Reba’s praise, while effusive, hinted at the calculus behind her choice: “You’ve grown so much, but tonight, I need someone who can carry the whole show.” Fans, however, weren’t buying it. Online forums lit up with debates—”Ryan’s versatility is gold!” one Redditor ranted—positioning him as a prime candidate for the public save. In a season emphasizing bold risks, Ryan’s gamble might pay off yet if voters see the potential Reba overlooked.
Trinity’s Rock Edge: “Barracuda” Bites Back, But Not Enough
Shifting gears to Team Bublé, Trinity exploded onto the stage with Heart’s “Barracuda,” a snarling rock riff that transformed the 22-year-old Seattle native into a leather-clad whirlwind. With her tattooed arms pumping the air and a voice that roared like a revving engine, Trinity channeled the Wilson sisters’ ferocity while adding her own grunge-infused edge—think Ann Wilson meets Courtney Love. Her Voice tenure started with a two-chair turn for a raw take on Paramore’s “Misery Business,” evolved through a Battle steal from Snoop (who couldn’t resist her grit), and peaked in Knockouts with a headbanging cover that had Bublé declaring her “the future of rock ‘n’ roll.”
The performance was a visceral thrill: Trinity shredded the guitar solo herself, sweat flying as the band matched her intensity. The coaches erupted—Snoop yelling, “That’s how you do it, Dogg! Raw energy!” Reba fanned herself, laughing, “Whew, girl, you just set my hair on fire!” Bublé, beaming paternal pride, said, “Trinity, you didn’t just sing that—you lived it. That’s the kind of fire that burns down arenas.”
But fire, it seems, couldn’t outshine vocal purity in Bublé’s eyes. Eliminated alongside her teammates, Trinity’s exit was met with audible groans from the crowd. Her rock bona fides make her a wildcard for the public vote—imagine her dueting with Niall in the finale, trading riffs on a Foo Fighters track. Fans are already petitioning, and with #TrinityRocks spiking on X, she might just crash the party.
Aubrey Nicole: The “Heart of Gold” That Captured Reba’s Crown
Midway through the episode, Aubrey Nicole arrived like a velvet thunderbolt, delivering Alannah Myles’ “Black Velvet” with a sultry swagger that peeled back layers of her pop princess persona. At 26, from Los Angeles via a military family shuffle, Aubrey’s Blind Audition (“Shallow” with a Lady Gaga flair) snagged Reba and Niall, but it was her Knockouts survival—belting Whitney Houston against a triple threat—that cemented her as a frontrunner. Rehearsing with Reba, Aubrey confided, “I just wanna tell the story with my voice. Reba really believes in me, and I’d love to be her finalist.”
On stage, in a slinky black gown that hugged her curves, Aubrey owned the bluesy torch song, her voice dipping into smoky lows before soaring to husky highs that evoked smoky lounges and late-night confessions. The studio fell silent during her improvised scat bridge, then erupted as she held that final, aching note. Reba was on her feet first, eyes misty: “Girl, you owned it. I was blown away. You sing your butt off—you’re gorgeous, you’re the perfect package.” Niall piled on: “No doubt, Aubrey should advance. That was class.” Bublé whistled, “Sultry and powerful—bravo!”
And advance she did, Reba’s handpicked finalist. In a night of tough calls, this one felt predestined. Aubrey’s versatility—from pop confections to this blues dive—positions her as a finale dark horse, capable of slaying a ballad or igniting a dance number. But the public vote adds intrigue; could a Reba rival steal her thunder?
Rob Cole: Hope in Harmony, But Harmony Proves Elusive
Team Bublé’s emotional anchor, Rob Cole, brought a tender glow with Lee Ann Womack’s “I Hope You Dance.” The 35-year-old father of two from Orlando, whose Blind Audition hymn-like original drew Bublé’s immediate chair, has been the team’s quiet storm—surviving Battles with heartfelt duets and Knockouts with a resilience born of gigging through personal loss (a battle with addiction detailed in his confessional package). For the Playoffs, Rob envisioned the song as a letter to his kids, layering harmonies that swelled like a sunrise.
His delivery was pure catharsis: eyes closed, hands gesturing as if conducting invisible angels, voice cracking just enough on “Promise me that you’ll give faith a fighting chance” to pierce the heart. The coaches were rapt—Reba dabbing her eyes, “Rob, that touched my soul. You’re singing for something bigger than yourself.” Snoop nodded deeply: “Real talk, brother. That’s inspiration.” Bublé, voice thick, said, “You make me want to be a better man. Beautiful.”
Elimination stung, but Rob’s grace in defeat—hugging Bublé with a whispered “Thank you for believing”—was finale-worthy stuff. Fans, moved by his story, are flooding vote lines; a public save here would be poetic justice, turning personal hope into national triumph.
Peyton Kyle: River of Talent, Drowned by the Current
Reba’s penultimate act, Peyton Kyle, 29 from Denver, channeled James Bay’s “Hold Back the River” into a folk-rock odyssey that painted him as the introspective troubadour. With his rumpled flannel and acoustic strums, Peyton’s arc—from a three-chair Blind for Mumford & Sons vibes to a Knockout win blending indie edge—promised poetry. The performance cascaded beautifully, his tenor rising like a swelling tide, but a slight pitch waver in the bridge tempered the magic.
Praise flowed: Bublé called it “poetic,” Niall “haunting.” Reba hugged him post-song: “Peyton, you’re a storyteller. That river? It’s your spirit.” Yet, eliminated he was. Social media mourned—”Peyton’s got that Lumineers soul!”—thrusting him into public vote contention. In a finale craving authenticity, he could shine.
Max Chambers: A Soulful Plea That Echoed Into Silence
Closing the night, Max Chambers of Team Bublé delivered Sam Cooke’s “A Change Is Gonna Come” with a gravitas that hushed the room. The 27-year-old from Memphis, whose Blind Audition civil rights-infused cover turned all chairs, has carried the weight of legacy—grandson of a gospel choir director—through fierce Battles and Knockouts. Tonight, in a simple white tee, Max’s baritone trembled with historical heft, ad-libs drawing tears from the front row.
The coaches were reverent: Reba, “Max, you honored that song like family.” Snoop: “Chills, nephew. Pure soul.” Bublé: “You’re a once-in-a-generation voice.” Elimination followed, but Max’s performance lingered, a rallying cry for the public vote. #MaxForFinals is surging; his win could signal a season of change.
The Aftermath: Coaches’ Choices, Fan Fury, and the Vote That Hangs in the Balance
As Carson tallied the coaches’ verdicts—Aubrey Nicole for Reba, Jazz McKenzie for Bublé—the eliminations cascaded: Aaron, Ryan, Peyton from Team Reba; Trinity, Rob, Max from Team Bublé. Reba’s picks drew fire online—”Baffling! Aaron’s country cred is unmatched!”—while Bublé’s Jazz choice earned nods for vocal supremacy. But the real drama? America’s Vote, open now through Dec. 7 via NBC.com, The Voice app, and social media. One more from these eight advances, ballooning the finalists to six ahead of Night 2 (Teams Niall and Snoop, Dec. 8).
This twist—echoing fan-favorite saves but elevating one straight to the finale—amplifies Season 28’s democratic ethos. Coaches get the crown jewel; viewers wield the wildcard. Early polls on TVLine show Rob Cole leading the pack at 28%, with Trinity nipping at 22% for her rock rebellion. Aaron hovers at 18%, a testament to country loyalty. Will sentiment save a father like Rob, or spectacle propel Trinity? The app’s buzzing; votes are pouring in.
Why This Night Redefined Season 28
Beyond the results, Monday’s episode crystallized what makes The Voice endure: humanity amid hype. In a landscape of scripted reality (looking at you, endless Idol reboots), this show’s prerecorded authenticity—coaches reacting live, artists vulnerable in confessionals—feels refreshingly real. Reba’s “baffling” choice? It’s not baffling; it’s strategy, betting on Aubrey’s polish over Aaron’s grit for finale duets. Bublé’s Jazz gamble? A masterstroke, positioning her as the vocal beast who could outsing anyone in a power ballad face-off.
Fan reactions have been a frenzy: X (formerly Twitter) exploded with 150,000 mentions of #VoicePlayoffs in the first hour, memes roasting Reba’s “country betrayal” juxtaposed with Jazz’s “holy roller” triumph. Reddit’s r/TheVoice dissected every ad-lib, while TikTok edits of Trinity’s “Barracuda” shred have racked up 5 million views. It’s not hyperbole to say this episode rivaled Season 24’s legendary Playoffs, where Carter Rubin’s save sparked a finale upset.
Looking ahead, Night 2 looms with Niall’s pop prodigies and Snoop’s hip-hop heirs. Will DEK of Hearts’ harmonies harmony their way in? Can Yoshihanaa’s flow flip the script? Two more coach picks, another public savior— the math to six finalists teases a diverse showdown: country queens, soul saviors, rock renegades.
But tonight belonged to the fallen and the chosen. Aaron’s beer-soaked lament, Jazz’s faith-fueled anthems, Aubrey’s velvet allure—they’re the threads weaving Season 28’s tapestry. As Carson signed off—”America, your vote could change everything”—one truth rang clear: In The Voice, talent isn’t just heard; it’s felt, fought for, and, sometimes, fatefully forgiven.
Vote now. Because in this game of voices, the loudest isn’t always the one who wins—it’s the one who resonates. And on a night like this, they all did.