In the ever-evolving landscape of spy thrillers, few films have generated as much buzz as Argylle, the 2024 action-comedy directed by Matthew Vaughn. Known for his high-octane style in hits like Kingsman: The Secret Service and Kick-Ass, Vaughn’s latest venture promised a meta twist on the genre, blending espionage with literary intrigue. At the center of this whirlwind is Henry Cavill, the British actor whose chiseled physique and charismatic presence have made him a staple in blockbuster cinema. In a revealing interview with Entertainment Weekly ahead of the film’s February 2024 release, Cavill teased a “new way” of approaching fight scenes that challenged him in unexpected ways, while also opening up about his bold new haircut that became a talking point among fans. “It was definitely a new way of doing things, but I enjoyed it. It was a good challenge,” Cavill confessed, hinting at the innovative choreography that set Argylle apart from his previous action-packed roles in Man of Steel and The Witcher. As we delve into the details of Cavill’s revelations, the behind-the-scenes grind, and the film’s unique flair, it’s clear that Argylle wasn’t just another spy caper—it was a fresh playground for one of Hollywood’s most versatile stars.
Argylle burst onto the scene with a premise that cleverly toyed with reality and fiction. The story follows Elly Conway (played by Bryce Dallas Howard), a reclusive spy novelist whose books eerily mirror real-world espionage events. When her fictional plots start coming true, Elly is thrust into a globe-trotting adventure alongside a real spy, Aidan (Sam Rockwell), to unravel a sinister plot. Cavill stars as the titular Agent Argylle, Elly’s imagined super-spy who embodies the over-the-top glamour of classic Bond-esque heroes. With a star-studded cast including Dua Lipa, John Cena, Ariana DeBose, Bryan Cranston, and Catherine O’Hara, the film was positioned as a fun, self-aware romp. Released on February 2, 2024, in theaters and later streaming on Apple TV+, Argylle grossed over $96 million worldwide against a $200 million budget, receiving mixed reviews for its convoluted plot but praise for its inventive action sequences and Cavill’s charismatic performance.
Cavill’s role as Argylle marked a departure from his more brooding characters like Superman or Geralt of Rivia. Here, he embraced a flamboyant, larger-than-life persona, complete with elaborate suits and high-stakes gadgets. But it was the fight scenes that truly pushed him into uncharted territory. In the EW interview, Cavill detailed a particularly innovative sequence set on a moving train, where Argylle battles villains in a cramped, high-speed environment. What made it “new” was the collaborative choreography with co-star Sam Rockwell. As Cavill explained, “Sam and I were watching each other and just trying to make sure that we had a similarity of movements. Certain movements worked better for him, so I would mimic those, and then different movements in other places worked better for me, so he would copy those.” This mirroring technique allowed the filmmakers to intercut scenes seamlessly, creating a fluid, almost dance-like combat style that blended humor with intensity.
The train fight, a highlight of the film’s trailers, involved tight spaces filled with “lots of hard edges,” as Cavill put it. “Fight scenes are tricky and complex, especially in a cramped space like that,” he noted. Unlike the wire-heavy, superhuman brawls in Man of Steel or the swordplay in The Witcher, Argylle‘s action leaned into practical, grounded chaos with a comedic edge. Vaughn, a master of stylized violence, encouraged improvisation, leading to moments where Cavill and Rockwell traded moves on the fly. “It’s quite nice doing these things when you have someone doing the exact same work as you. So I do my bit, or Sam does his thing, and the other one gets to rest. The camera moves on, and we get to have a nice break,” Cavill shared, highlighting the teamwork that made the process enjoyable despite the physical demands.
This “new way” wasn’t just about synchronization; it reflected Vaughn’s vision for action that subverted expectations. In Kingsman, fights were balletic and over-the-top; in Argylle, they incorporated meta elements, blurring lines between Elly’s imagination and reality. Cavill, who trained rigorously for the role, appreciated the challenge. His preparation included months of stunt rehearsals, focusing on hand-to-hand combat and wire work for aerial maneuvers. “I wanted to have fun with it,” he said, emphasizing how the film’s tone allowed for playfulness amid the punches. Fans on social media echoed this excitement, with one X post reading, “Henry Cavill’s fight scenes in Argylle look insane—can’t wait to see this new style!”
Equally teased in the interview was Cavill’s striking new haircut, a flat-top style that became synonymous with Agent Argylle’s eccentric look. Paired with a green velvet suit, it was a far cry from the flowing locks of Geralt or the slicked-back Superman coif. “That was actually Matthew’s pitch, his signature style,” Cavill revealed. “I wanted to have fun with it. Matthew said, ‘Look, this guy’s going to have a particular look and you’ve got to trust me.’ And I did! That’s the kind of thing I was looking for. I’m glad I did it.” The haircut, often described as “retro” or “bold,” drew mixed reactions pre-release—some fans loved the commitment to character, while others joked it was “the worst haircut since the mullet in The Witcher.” Cavill embraced the humor, noting in a promotional video that it took “a lot of gel and patience” to maintain.
The style was integral to Argylle’s persona, symbolizing his outlandish, fictional nature. Vaughn drew inspiration from 1980s action heroes, aiming for a look that screamed “spy archetype” with a twist. Behind the scenes, the haircut posed practical challenges: during fight rehearsals, sweat and movement often disrupted the perfect flat-top, leading to frequent touch-ups. Cavill laughed about it in interviews, saying, “It was a commitment, but it helped me get into the mindset of this larger-than-life agent.” Post-release, the look became a meme sensation, with fans editing Cavill’s hair onto other characters and praising his willingness to experiment.
Delving deeper into the fight scenes, Cavill’s “new way” stemmed from Vaughn’s collaborative directing style. Unlike the solo heroics in Man of Steel, where Cavill battled CGI foes, Argylle emphasized tandem action with Rockwell. “Sam and I had to be in sync, like a dance,” Cavill said. This required weeks of rehearsal, blending martial arts, parkour, and slapstick elements. Stunt coordinator Brad Allan, who worked on Kingsman, designed sequences that played with perspective—shifting from Argylle’s polished fights to Aidan’s scrappier style. Cavill trained with Rockwell, mimicking each other’s moves to ensure continuity. “Certain movements worked better for him, so I would mimic those,” he explained, highlighting the give-and-take that made the scenes dynamic.
The physical toll was real. Cavill, no stranger to intense regimens, admitted Argylle pushed him differently. “It’s not just about strength; it’s about timing and comedy,” he noted. One mishap during filming involved a prop gun jamming mid-scene, leading to improvised chaos that Vaughn kept in the final cut. “We laughed through the pain,” Cavill recalled. Compared to The Witcher‘s gritty swordplay or Superman’s aerial battles, Argylle‘s fights were “lighter, more fun,” allowing Cavill to showcase his comedic timing alongside his athleticism.
The haircut, meanwhile, was more than cosmetic—it influenced Cavill’s performance. “It changed how I carried myself,” he said. The flat-top, combined with the velvet suit, evoked a retro spy vibe, helping Cavill channel Argylle’s confidence. Vaughn’s insistence on the look stemmed from his love for exaggerated aesthetics; he told Cavill, “Trust me, it’ll pop on screen.” And it did—critics noted the visual flair added to the film’s meta humor. Fans debated it online: “Henry’s haircut in Argylle is iconic or insane?” one Reddit thread asked, amassing thousands of votes. Cavill’s willingness to embrace it underscored his versatility, proving he’s not afraid to poke fun at his heartthrob image.
Behind the scenes, Argylle‘s production was a whirlwind. Filmed in 2022 across London, the Alps, and studios, it faced COVID delays but benefited from a tight-knit cast. Cavill bonded with Howard and Rockwell over shared laughs, with Rockwell’s improvisational style inspiring Cavill to loosen up. “Sam’s energy is infectious,” he said. The film’s cat, Chip (played by Claudia Schiffer’s pet), added whimsy, with scenes where Argylle interacts with the feline spy accessory leading to adorable bloopers.
Post-release, Argylle sparked discussions about Cavill’s career trajectory. After leaving The Witcher and Superman, this role showcased his range, blending action with comedy. “I love challenging myself,” Cavill reflected in a 2024 podcast. The “new way” of fights hinted at his interest in evolving genres, perhaps foreshadowing projects like Highlander. His haircut, now grown out, remains a fan favorite meme.
In retrospect, Cavill’s teases about Argylle revealed a star embracing innovation. From synchronized brawls to daring dos, the film was a playground for his talents. As fans await his next move, one thing’s certain: Henry Cavill’s “new way” keeps us hooked.