The DC Universe under James Gunn’s stewardship has been a whirlwind of reinvention since its official launch with Creature Commandos in late 2024, blending irreverent humor, heartfelt character arcs, and a commitment to comic-book fidelity that has fans buzzing with cautious optimism. As the “Gods and Monsters” chapter unfolds—kicking off with David Corenswet’s Superman soaring into theaters in July 2025 and Milly Alcock’s Supergirl gearing up for a 2026 cosmic clash—the spotlight now turns to one of the most iconic heroines in the pantheon: Wonder Woman. With Gal Gadot’s portrayal from the DCEU era shelved amid the soft reboot, speculation has reached fever pitch over who will don the Lasso of Truth and tiara next. Enter Alexandra Daddario, the blue-eyed powerhouse whose recent comments on fan-casting buzz have ignited a firestorm of excitement. In a candid interview that dropped like a bolt from Zeus’s forge, Daddario expressed not just flattery but genuine enthusiasm for stepping into Diana Prince’s golden eagle boots, declaring that working with Gunn “would be amazing in any capacity.” As rumors swirl and fan art proliferates, could the star of The White Lotus and Percy Jackson be the key to unlocking Wonder Woman’s full potential in this bold new era?

Daddario’s ascent to the top of fan wishlists isn’t mere happenstance; it’s a perfect storm of visual allure, proven versatility, and thematic resonance. At 39, the New York native boasts a resume that spans sultry blockbusters like Baywatch—where her red swimsuit became a cultural meme—to nuanced indies like The Girlfriend Experience, showcasing her ability to blend vulnerability with unyielding strength. But it’s her turn as Annabeth Chase in the 2010 Percy Jackson & the Olympians: The Lightning Thief that cements her mythic credentials. As the daughter of Athena, Annabeth wielded intellect as her sharpest weapon, navigating labyrinths of prophecy and peril with a fierce loyalty that mirrored Diana’s own warrior ethos. “I’ve always been drawn to roles that let women be complex—fierce, smart, and unafraid to break a few gods in the process,” Daddario quipped in a recent profile, her wry smile hinting at the self-aware edge she’d bring to Themyscira’s princess. Fans have latched onto this Greek heritage tie-in, flooding social media with edits superimposing her onto classic Wonder Woman panels, her piercing gaze evoking the Amazon’s unblinking justice.

The timing couldn’t be more serendipitous. Gunn and co-CEO Peter Safran unveiled the DCU slate in January 2023, promising interconnected tales that honor the source while injecting fresh energy. Wonder Woman’s solo film, absent from the initial lineup, entered development in June 2025, with Supergirl: Woman of Tomorrow scribe Ana Nogueira tapped to craft the screenplay. Nogueira’s touch—seen in her handling of Kara Zor-El’s gritty, intergalactic coming-of-age—suggests a Diana unbound by Patty Jenkins’ more romanticized vision. Gone are the ethereal slow-motion battles of the DCEU; this iteration teases a warrior forged in the fires of ancient vendettas, grappling with her dual heritage as both immortal Amazon and reluctant emissary to man’s world. A prequel series, Paradise Lost, simmers in early stages, exploring Themyscira’s political intrigues before Diana’s birth—a Game of Thrones-esque saga of sisterhood and schism that Gunn described as “slow moving, but it’s moving” in a recent chat. With no creative team locked yet, the stage is set for a casting coup, and Daddario’s name echoes louder than the clash of her potential bracelets.

In her pivotal interview with Screen Rant, conducted amid the promotional whirlwind for her latest horror-thriller Mayfair Witches Season 2, Daddario addressed the elephant in the Invisible Jet. “I’m flattered to hear that it’s happening, but I haven’t seen it,” she admitted of the deluge of fan art depicting her in star-spangled regalia. Pressed on joining the DCU fray, her response was a masterclass in gracious ambition: “Of course, working with James Gunn would be amazing in any capacity, but I wasn’t aware that that was going on.” It’s a coy pivot that leaves the door ajar—Wonder Woman or otherwise—while underscoring her admiration for Gunn’s auteur flair. The Guardians of the Galaxy helmer, known for elevating ensembles like the ragtag raccoon squad into emotional powerhouses, has a knack for spotting untapped star quality. His track record with female leads—Pom Klementieff’s Mantis evolving from comic relief to cosmic force—hints he’d relish molding Daddario into a Diana who’s as intellectually formidable as she is physically unstoppable. Gunn’s recent Threads post confirming Catwoman’s DCU debut (project TBD) only amps the intrigue; could Daddario moonlight as Selina Kyle in a feline twist?

Fan fervor has propelled the narrative forward, turning whispers into a roar. Platforms like X (formerly Twitter) and Reddit brim with threads dissecting Daddario’s suitability: her 5’8″ frame commands presence without overpowering, her athletic build honed from years of action roles promises authentic lasso-wielding, and her vocal timbre—husky yet resolute—could deliver lines like “I will fight for those who cannot fight for themselves” with bone-deep conviction. A viral DeviantArt piece by user dferg24, dropped in August 2025, reimagines her in a classic swimsuit-era costume, evoking Lynda Carter’s campy charm while nodding to modern armor upgrades. “She’s got the eyes of Athena and the fire of Artemis,” one commenter gushed, racking up thousands of shares. Polls on fan sites pit her against contenders like Adria Arjona (Andor) or Ana de Armas (No Time to Die), but Daddario consistently edges out with 60% approval, her Percy Jackson nostalgia sealing the deal for millennials now wielding casting clout.

Yet beneath the hype lies a high-wire act for DC Studios. The DCEU’s Wonder Woman trilogy, grossing over $1.3 billion, set a gold standard: Gadot’s blend of grace and grit resonated globally, her “WW84” spectacle notwithstanding the film’s mixed reception. Recasting carries risks—Gadot’s departure, tied to the broader reboot, sparked initial backlash, with petitions to retain her surpassing 100,000 signatures. Gunn’s vision demands a fresh slate, emphasizing interconnected lore where Diana’s lasso-truth compels uneasy alliances in a post-Superman world. Nogueira’s script, insiders whisper, leans into George Pérez’s post-Crisis run: a Diana exiled from Paradise Island, confronting patriarchal follies with wry wisdom rather than wide-eyed wonder. Daddario’s dramatic chops—her Emmy-nominated White Lotus turn as a unraveling socialite—position her to nail this evolution, infusing the role with layers of quiet rage and reluctant heroism.

Production timelines add urgency. With Supergirl lenses rolling in early 2026 and The Brave and the Bold‘s Batman lurking on the horizon, Wonder Woman’s film could eye a 2028 bow, aligning with DC’s aggressive expansion. Paradise Lost, envisioned as a 10-episode HBO Max drop, might introduce Amazons like Philippus or Artemis, setting the table for Daddario’s grand entrance. Gunn’s collaborative ethos—frequent social media polls, fan-service Easter eggs—suggests casting announcements could drop via Threads, much like Nathan Fillion’s Green Lantern tease. Daddario, fresh off 28 Years Later and eyeing more genre fare, fits the puzzle: her availability post-Witches aligns, and her box-office draw (hello, San Andreas quake) promises ROI.

Skeptics counter that Daddario’s sex-symbol past might overshadow Diana’s gravitas, echoing early knocks on Gadot’s model background. Others pine for unknowns, arguing a star-free launch preserves mystique. But precedents abound: Chris Hemsworth was a relative cipher pre-Thor, yet became Marvel’s Asgardian anchor. Daddario’s indie cred tempers any glamour pitfalls, her Texas Chainsaw 3D screams proving she can wield a blade (or chainsaw) with aplomb. Moreover, in a post-#MeToo landscape, her advocacy for women’s stories—backing initiatives like Time’s Up—mirrors Wonder Woman’s feminist roots, penned by William Moulton Marston as a beacon against subjugation.

As November 2025 dawns, with Creature Commandos wrapping its animated arc and Superman hype cresting, the DCU feels electric with possibility. Daddario’s words have supercharged the discourse, transforming fan dreams into tangible momentum. Whether she lassos the role or Gunn deploys her elsewhere—perhaps a steely Cheetah or enigmatic Circe—her DCU flirtation signals a franchise unafraid to bet on bold. In a multiverse of reboots, where Marvel grapples with fatigue and DC rises phoenix-like, Wonder Woman’s return demands an icon who embodies unyielding truth. Alexandra Daddario, with her piercing gaze and proven mettle, might just be that Amazon ready to leap tall patriarchies at a single bound. The tiara awaits—who dares to claim it?