Adolescence. Owen Cooper as Jamie Miller in Adolescence. Cr. Courtesy of Netflix © 2024
Courtesy of Netflix
Netflix’s new limited series Adolescence brings every parent’s worst nightmare to life: Thirteen-year-old Jamie Miller (Owen Cooper) is accused of murdering a classmate. But is the chilling story based on real-life events, or is it purely fiction?
The gripping four-part limited series, starring co-creator Stephen Graham, follows the case of Miller, who stands accused of murdering his classmate, Katie Leonard. Filmed in a single continuous shot, each episode unfolds in real time, immersing viewers in the intense search for answers about what really happened to Katie.
The series opens with Jamie’s arrest in Episode 1, while Episode 2 shifts focus to the police probe and its ripple effect on Jamie’s friends and classmates. In Episode 3, seven days after his arrest, Jamie meets with a court-appointed psychologist. The finale jumps ahead 13 months and explores the aftermath of the allegations on Jamie’s family.
Adolescence. Owen Cooper as Jamie Miller in Adolescence. Cr. Courtesy of Netflix © 2024
Courtesy of Netflix
Cooper stars as Jamie Miller, while Graham takes on the role of his father, Eddie Miller. Ashley Walters plays Detective Inspector Luke Bascombe, with Erin Doherty as Briony Ariston, the clinical psychologist assigned to Jamie’s case. The cast also includes Faye Marsay, Christine Tremarco, Mark Stanley, Jo Hartley, and Amélie Pease.
Just one day after its March 13 release, Adolescence has soared to the No. 1 spot on Netflix’s streaming chart and holds a perfect 100% score on Rotten Tomatoes. But is Jamie’s story based on real events? Here’s what inspired the critically acclaimed series.
Is Adolescence Based On A True Story?
Netflix’s Adolescence isn’t based on a single real-life case, but Graham revealed that the series was inspired by the growing knife-crime epidemic in the U.K.
“There was an incident where a young boy [allegedly] stabbed a girl,” Graham told Netflix’s Tudum. “It shocked me. I was thinking, ‘What’s going on? What’s happening in society where a boy stabs a girl to death? What’s the inciting incident here?’ And then it happened again, and it happened again, and it happened again. I really just wanted to shine a light on it, and ask, ‘Why is this happening today? What’s going on? How have we come to this?’”
According to the Office for National Statistics (ONS), 83% of teen homicides in 2023-24 involved a blade. In the year ending March 2024, approximately 50,500 sharp instrument-related offences were recorded in England and Wales (excluding Greater Manchester), which was a 4.4% increase from 2022-23 but a 2.8% decrease compared to 2019-20. Juveniles aged 10 to 17 were responsible for about 17.3% of these offenses.
Co-creator Jack Thorne added that the series was also driven by an exploration of male rage. As he, Graham, and director Philip Barantini reflected on their own identities as men, fathers, partners, and friends, they found themselves “questioning with some intensity” who they were as people, and specifically, as men. “That is a journey I’ve never gone on as a writer before, and it scared me and excited me because it felt like we had something to say,” he said.
Graham told Vanity Fair that he was initially unfamiliar with the concept of the manosphere—a controversial network of websites, blogs, forums, and online communities centered on men’s rights, male interests, and opposition to feminism. “I didn’t know what it was until Jack [Thorne] told me all about it, and I was just blown away,” he said.
The release of Adolescence follows the sentencing of Southport killer Axel Rudakubana, who received a minimum of 52 years for murdering three young girls at a Taylor Swift-themed dance workshop in July 2024. Entertainment Weekly reported that the show was conceived and written months before the attack, though its timing feels especially relevant.
The series’ premiere also comes shortly after U.K. Prime Minister Keir Starmer warned in January of a new terror threat facing the country—”loners, misfits and young men” in their bedrooms who are “accessing all manner of material online, sometimes inspired by traditional terrorist groups, but fixated on that extreme violence, seemingly for its own sake.”
