Jennifer Hale has enjoyed an incredible voice casting career for over three decades, with titles in her impressive resume ranging from games like Mass Effect and Halo, to animated shows like The Clone Wars and Avatar: The Last Airbender. Her most recent high-profile role is taking over the part of Jean Grey for X-Men ’97. We had a chat with Jennifer Hale about returning to the role of the mutant telepath, a role she’s played in different iterations over several years, and guiding a newer generation of voice actors via SkillsHub.

Jennifer Hale/Marvel Animation

Nerdist: You took over the role of Jean Grey from Catherine Disher, who played her in the classic X-Men show. But she is still part of this universe, because she plays Val Cooper. Did she give you any advice on playing Jean? Or did you guys even record together?

Jennifer Hale: We actually didn’t record together. But I took great inspiration from her original performance, and then was guided by the team as to exactly how they wanted to update all the different elements to bring the character to a modern audience.

A lot of the original X-Men cast returned, but both you and Ray Chase stepped in for Scott and Jean. Did you two bond at all at being the new kids, for lack of a better word?

Hale: Absolutely. It’s such an honor and a responsibility to step into a role like this. The great thing about Jean, and a lot of the Marvel universe, is I have great respect for all my peers, and one of the things about that is a lot of us share these roles. I’m not the only person to have played Jean. I’ve played other roles in the universe. I even played Rogue in various projects. And to be able to be Jean in this project really feels like winning the lottery. It’s kind of awesome.

This isn’t your first time at bat with Jean Grey. You played her in Wolverine and the X-Men, the X-Men anime, and in several different video games. Did you approach playing this Jean differently, or did you think of Jean as more or less the same across the Multiverse?

Hale: They’re all inspired by the same source material. The truth is, when I step into any role in any project, I am 1000% in service of the production and writing team. What does the team need? And one of the really, really cool things about the team on X-Men 97 is a huge number of them grew up watching the original show. They were fans, which is really exciting. And now they’re working on the show.

Of course, you didn’t just play Jean in X-Men ’97, you also played Madelyne Pryor. She might have started out as just a clone of Jean, but became her own person by the time we get to Genosha. Were there subtle differences in how you approached Maddie over Jean? Besides just getting to be almost a Disney villain when she was Goblin Queen?

Marvel Animation

Hale: Absolutely. There are distinct differences between Madelyne and Jean, and obviously, the Goblin Queen has her own lane. But yeah, very much. And that’s where I really rely on our voice director, Meredith Lane, and on the team, because having a good voice director on hand like Meredith allows me to just drop in and fully be in the moment, and not worry about whether I’m slowly migrating out of the lane that is Madeline back over into Jean. And I know she’ll guide me back in if I happen to step a little too far one way or the other.

The love triangle between Jean, Scott, and Logan has always been a huge factor in X-Men lore. And in this season, things got a little heated when Jean kissed Wolverine, in a moment when she and Scott were having problems. That’s further than the classic cartoon ever took things. How do you feel about finally giving the fans that moment?

Hale: Oh, I think it’s great. But I want to know how the fans feel about it. That’s what I want to know. I want to know what it meant to them, because that’s ultimately what we do it for, right?

Marvel Animation

Jean in the original series was almost a cliché, the way she was always fainting even though she was an Omega-level mutant. X-Men ’97 finally dropped weak Jean and showed her at full power. Were you happy that Jean finally got to let loose and show off in this series?

Hale: I was absolutely thrilled. I mean, come on. The general evolution of the way women are written now is so much better than it used to be. So much more fun. We actually get to be full human beings. We get to own our power, take our power, and quite often run things

X-Men ’97 teased the arrival of Phoenix for much of the first season, and in the finale she finally arrived. The comics have different interpretations of the Jean/Phoenix dynamic, but I’m wondering how you see things between them? Do you play it as the manifestation of Jean’s power, or an outside force that possesses her?

Marvel Animation

Hale: Jean is a channel for so many things. She’s kind of the voice of the heart of the people around her. She’s a channel for ultimate power to come through, and I think that is often my experience as a performer. So I think that’s the lens that it went through for me. Jean is a channel for the ultimate powers to move through her.

Of your many voice acting roles, which is one that is nearest and dearest to your heart?

Hale: Honestly, the thing that’s nearest and dearest to my heart is the diversity of characters. I’ve been able to play the sheer variety of roles, gives me so much.

Speaking of sheer variety of roles, you have this incredibly long resume of voice acting going back, what, 30 years, and that’s both cartoons and video games. You’ve taken a lot of those skills and you’re extending it to the next generation via something called SkillsHub. Can you explain what that is?

Hale: Yes. SkillsHub, it is a site where actors at any level can come and learn about voice acting, take the career they’ve got, and create real longevity and momentum. It started out with me just wanting help with auditions. I just needed 10 minutes with someone I trust. I didn’t need an hour of coaching, or a class. What I wanted was this calendaring system I had in my head to become a reality. And my sister said, “You need to meet my friend Bill, he’s amazing.” He built the site. He’s actually the guy who puts the stuff together, programs everything, and makes it happen. And the three of us run it.

It’s evolved into a site where it’s gone from me calling 20-something of my friends who are working actors, voice directors, and casting directors to help out people like me, other voice actors. We have a ton of free stuff. I personally, have written out these paths that are step-by-step career assembly instructions for a dozen different career paths through the voice work. And we have free stuff for members. We’ve got classes. Everything you need is right there. And now we have almost 90 coaches. We really have an incredible community.